3/3/2023 0 Comments Multiclock online![]() ![]() Use a dedicated MIDI interface plugged into a separate USB bus from your audio interface. If you use an audio interface which also has MIDI ports, don't use those ports. (Anker is a good brand- the Elektron hub is poor quality) You also want to optimise the MIDI streams from the computer by connecting directly to a USB port on your computer (instead of through a USB hub) or using quality powered USB 3 hubs with MTT technology. Network activity (especially wifi and bluetooth) can introduce clock jitter, simply because neither Mac OS nor Windows are optimised for MIDI output. This is because the operating system does not prioritise USB MIDI data. If you use a Mac you should be able to get a good MIDI clock output from your DAW by optimising the Mac for MIDI- this means quitting all background apps (especially browsers and other app/process that tries to connect to the internet) and turning off all networking. What these boxes do is provide a MIDI clock to replace the clock output of your DAW and are needed if that DAW clock has too much jitter - which means random fluctuation and NOT a constant lag, which is latency and can be adjusted for. unless you are using synths with MIDI clocked LFOs and you need that sync to be super tight. If all the sequencing is done on the DAW you don't need any of these. Unfortunately it can be a little tricky to understand if you're not familiar with problem solving these kinds of issues not helped by unhelpful support and an OKAY manual (there are worse out there to be fair) and that's usually the point where most people who've hit a brick wall, give up and sell it.These boxes are only needed if you are trying to sync a hardware MIDI sequencer (or MIDI drum machine/synth with onboard sequencer,or perhaps an older machine with DIN sync), with your DAW. The only thing I've found that does, is the ERM Multiclock. In my case I have various different drum machines and synths all with their own interpretations of the sync clock. If you have multiple, you start running into problems and that's when a Multiclock comes to the rescue. If you have one or two devices, sure Ableton's sync solutions can help. The more devices the more sync problems you have. FOr example, some may have just one external device. The ERM Multiclock is the industry standard device for sync'ing out of the box instruments with in the box instruments.Įvery person's midi requirements are different however. Have any users of the Multiclock come across and resolved this issue? It's driving me crazy as the Multiclock just seems like it's routing, but not actually controlling.Į-RM have not been responding to emails, so looking here for help! The Multiclock physical controls have no effect on any Midi Din output channel. I have tried this with a Sub37, Summit and Pulse 2. ![]() If I turn Multiclock Shuffle to 99%, the recorded audio is still on the grid (sync with metronome) If I turn the Multiclock Shift to +100ms, the recorded audio is still on the grid (sync with metronome) If I turn the Multiclock Shift to -100ms, the recorded audio is still on the grid (sync with metronome) My problem is, that the physical controls on the Multiclock do not affect the Sub37 or the recorded audio. Recorded audio (Monitor Off) on the Audio Track is perfectly in sync with the metronome - OK Audio from the Sub37 is routed from RME UCX Input #6 to Ableton Audio Track - OKħ. Multiclock forwards the Midi notes to Multiclock Midi Din Output #2 which is connected to the Sub 37 - OKĦ. External Instrument is used to send Midi notes to the Multiclock via USB - OKĥ. Changing BPM in Ableton, changes the BPM on the Multiclock - OKĤ. E-RM receives the audio signal and sets the clock - OKģ. E-RM plugin is setup on a standard Midi Track sending an audio signal out from RME UCX output #6 to Multiclock audio in - OKĢ. Just using one synth (Sub37) to start simple.ġ. I'm having an issue with setting up the E-RM Multiclock with Ableton. ![]()
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